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The process of forming a song canon in 17th and 18th century hand-written hymn-books
Smyčková, Kateřina ; Škarpová, Marie (advisor) ; Malura, Jan (referee) ; Andrlová Fidlerová, Alena (referee)
This dissertation thesis follows on the contemporary research focused on the early modern manuscript culture. The thesis deals with the Moravian manuscript hymnals from the 17th and 18th century and with their repertoire. The manuscript hymnography is one of the richest sources for an understanding of the popular piety, the Baroque literature and the church music. Some of the hymnals are accompanied by musical notation and a large number of them are beautiful illuminated. However, they have never been made accessible through modern edition, and there are hardly any analytical studies concerning these hymnbooks. The opening chapter summarizes the existing research on the given topic. It is followed by the description of approximately forty manuscript hymnals. The next chapter concentrates on some specific qualities of the manuscript publication and focuses on the song repertoire. The third chapter further develops the general theses. It is devoted to four manuscript hymnals from the sixties and the seventies of the 17th century. The analysis of their writing, ilumination and repertoire proves the same author - Jan Klabík from Želechovice. This chapter concentrates on the song repertoire, relations to older hymnals and the song canon. The fourth chapter focuses on two specific groups of songs: the...
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Repertoire analysis of the hymn-book Kancionálek aneb Písně křesťanské
Smyčková, Kateřina ; Škarpová, Marie (advisor) ; Andrlová Fidlerová, Alena (referee)
This thesis focuses on the analysis of anonymous Kancionálek (printed in Prague at K. F. Rosenmüller between 1712-1727). The thesis shows, based on survey sources, his relationship to other hymn-books and his possible sources (non-Catholic "litterati" hymn- book and other). Main part of the thesis analyzes the modifications of the old repertoire and overall concept of the hymn-book: purpose is to describe the editorial strategies for creating a small non-noted hymn-book for broad masses of people. The appendix consists of catalog of all the songs, that are included in Kancionálek.
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Reprezentation of death and so called last things of man in Kancionál český of V. M. Šteyer
PASKUDOVÁ, Hedvika
The submitted diploma thesis deals with representation of death and eschatology in the Kancionál český of M. V. Šteyer. This largest Czech Catholic hymnbook came out for the first time in the year 1683, and includes spiritual poetry not only to the second half of the 17th century, but also the creation of legacy. The hymnbook contains songs catholic and non-catholic provenance. For this reason theme of our thesis seems interesting. The aim of this thesis is to present a literary representation of death and so ? called last things of man in Kancionál český, taking into account the differences in their representation of the influence of the time of its formation and the origin of songs.
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Comenius- Tranoscius - Božan
NÁDVORNÍKOVÁ, Libuše
This work deals with analysis and comparation of three baroque hymn-books by authors Jan Amos Komenský, Jiří Třanovský and J. J. Božan. Hymn-book by JAK, Tranoscia Citharu sanctorum and Slavíček rájský are analysed according to their authors? creed and period context and they are compared according to their content and arrangement of their songs.
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